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	<title>Whitewall daily &#187; Meenakshi Thirukode &#8211; South Asian Contemporary Art</title>
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		<title>Seher Shah</title>
		<link>http://www.whitewallmag.com/2010/02/05/seher-shah/</link>
		<comments>http://www.whitewallmag.com/2010/02/05/seher-shah/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 15:08:58 +0000</pubDate>
		<dc:creator>Meenakshi Thirukode - South Asian Contemporary Art</dc:creator>
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		<category><![CDATA[South Asian Contemporary Art]]></category>
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		<category><![CDATA[Burmingham Photographic Archives]]></category>
		<category><![CDATA[Giorgio de Chirico]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Nature Morte]]></category>
		<category><![CDATA[Royal Geographic Society]]></category>
		<category><![CDATA[Seher Shah]]></category>

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		<description><![CDATA[ Seher Shah’s Ink and Gouache pieces such as "Black Cube 1 &#038; 2" helps South Asian art expert, Meenakshi Thirukode, dig into our archive of pre-conditions in current and historic images.]]></description>
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		<title>From Pakistan: Hanging Fire</title>
		<link>http://www.whitewallmag.com/2009/10/27/from-pakistan-hanging-fire/</link>
		<comments>http://www.whitewallmag.com/2009/10/27/from-pakistan-hanging-fire/#comments</comments>
		<pubDate>Tue, 27 Oct 2009 22:25:34 +0000</pubDate>
		<dc:creator>Meenakshi Thirukode - South Asian Contemporary Art</dc:creator>
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		<category><![CDATA[Experts]]></category>
		<category><![CDATA[Museum Exhibitions]]></category>
		<category><![CDATA[South Asian Contemporary Art]]></category>
		<category><![CDATA[Alyse Ronayne]]></category>
		<category><![CDATA[Asia Society]]></category>
		<category><![CDATA[Bani Abidi]]></category>
		<category><![CDATA[Fatima Hussain]]></category>
		<category><![CDATA[Hamra Abbas]]></category>
		<category><![CDATA[Hanging Fire]]></category>
		<category><![CDATA[Huma Mulji]]></category>
		<category><![CDATA[Imran Qureshi]]></category>
		<category><![CDATA[Nik Pence]]></category>
		<category><![CDATA[Pakistan]]></category>
		<category><![CDATA[Salima Hashmi]]></category>
		<category><![CDATA[Zahoor Ul Akhlaq]]></category>

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		<description><![CDATA[Curated by Salima Hashmi “Hanging Fire” (on view September 10, 2009 – January 3, 2010 at Asia Society) brings together the practice of artists living and working in Pakistan, with the exception of one or two who also work outside. ]]></description>
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		<title>On Artist Collectives</title>
		<link>http://www.whitewallmag.com/2009/05/27/on-artist-collectives-the-south-asian-womens-creative-collective/</link>
		<comments>http://www.whitewallmag.com/2009/05/27/on-artist-collectives-the-south-asian-womens-creative-collective/#comments</comments>
		<pubDate>Wed, 27 May 2009 21:38:00 +0000</pubDate>
		<dc:creator>Meenakshi Thirukode - South Asian Contemporary Art</dc:creator>
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		<category><![CDATA[South Asian Contemporary Art]]></category>
		<category><![CDATA[Air Guitar]]></category>
		<category><![CDATA[Christie's]]></category>
		<category><![CDATA[Dave Hickey]]></category>
		<category><![CDATA[Haunch of Venison]]></category>
		<category><![CDATA[Jaishri Abichandani]]></category>
		<category><![CDATA[Meenakshi Thirukode]]></category>
		<category><![CDATA[Peter Schjeldahl]]></category>
		<category><![CDATA[SAWCC]]></category>
		<category><![CDATA[South Asian Women's Creative Collective]]></category>
		<category><![CDATA[Yes Men]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=2638</guid>
		<description><![CDATA[A discussion of the value of the artist collective - through a contemporary example - that of the South Asian Women's Creative Collective (SAWCC).]]></description>
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		<title>The Art of Subodh Gupta</title>
		<link>http://www.whitewallmag.com/2009/04/30/beauty-in-the-transformation-of-the-found-object-the-art-of-subodh-gupta/</link>
		<comments>http://www.whitewallmag.com/2009/04/30/beauty-in-the-transformation-of-the-found-object-the-art-of-subodh-gupta/#comments</comments>
		<pubDate>Thu, 30 Apr 2009 18:10:32 +0000</pubDate>
		<dc:creator>Meenakshi Thirukode - South Asian Contemporary Art</dc:creator>
				<category><![CDATA[Experts]]></category>
		<category><![CDATA[South Asian Contemporary Art]]></category>
		<category><![CDATA[Armory Show]]></category>
		<category><![CDATA[Duchamp]]></category>
		<category><![CDATA[Fair and Lovely Ad]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[Jack Shainman Gallery]]></category>
		<category><![CDATA[Jeff Koons]]></category>
		<category><![CDATA[Louise Bourgeois]]></category>
		<category><![CDATA[Pathirams]]></category>
		<category><![CDATA[Society of Independent Artists]]></category>
		<category><![CDATA[Subodh Gupta]]></category>
		<category><![CDATA[The Fountain]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=2078</guid>
		<description><![CDATA[Meena Thirukode, our South Asian contemporary art columnist, confronts the work of artist Subodh Gupta, in an attempt to critically examine the typical mythology that has come to surround the work. This development of this mythology in part due to the considerable media attention he has received for record auction prices and his status as an Indian artist represented by Western galleries.]]></description>
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