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	<title>Whitewall daily &#187; Biennials</title>
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		<title>Performa 11: Tyler Ashley and the SARAHS</title>
		<link>http://www.whitewallmag.com/2011/11/17/performa-11-tyler-ashley-and-the-sarahs/</link>
		<comments>http://www.whitewallmag.com/2011/11/17/performa-11-tyler-ashley-and-the-sarahs/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 02:00:13 +0000</pubDate>
		<dc:creator>Twyla Shelmire</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Friends of the High Line]]></category>
		<category><![CDATA[Performa 11]]></category>
		<category><![CDATA[SARAHS]]></category>
		<category><![CDATA[Times Square Alliance]]></category>
		<category><![CDATA[Tyler Ashley]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=15820</guid>
		<description><![CDATA[Recently, Tyler Ashley and the SARAHS presented a new dance-theater work, "half-mythical, half-legendary Americanism," which travelled down the High Line and collected a multitude of spectators on the way. ]]></description>
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		<title>Performa 11 Opening Night</title>
		<link>http://www.whitewallmag.com/2011/11/03/performa-11-opening-night/</link>
		<comments>http://www.whitewallmag.com/2011/11/03/performa-11-opening-night/#comments</comments>
		<pubDate>Thu, 03 Nov 2011 15:27:26 +0000</pubDate>
		<dc:creator>Nicholas Weist</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Lifestyle]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Adam Pendleton]]></category>
		<category><![CDATA[Anne Pasternak]]></category>
		<category><![CDATA[Elmgreen & Dragset]]></category>
		<category><![CDATA[Jeanne Greenberg Rohatyn]]></category>
		<category><![CDATA[Mark Beasley]]></category>
		<category><![CDATA[Naima J. Keith]]></category>
		<category><![CDATA[Performa 11]]></category>
		<category><![CDATA[RoseLee Goldberg]]></category>
		<category><![CDATA[Terence Koh]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=15491</guid>
		<description><![CDATA[Every single guest at the gala benefit for Performa11 last night was a major celebrity. Or at least that’s how they felt walking in, when a knot of “paparazzi” huddled by the red-carpeted entryway started shouting for their attention. ]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Visiting Tarab at Performa 11</title>
		<link>http://www.whitewallmag.com/2011/10/31/visiting-tarab-at-performa-11/</link>
		<comments>http://www.whitewallmag.com/2011/10/31/visiting-tarab-at-performa-11/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 20:43:39 +0000</pubDate>
		<dc:creator>Jen Hoffman-Williamson</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[DJ Spookey]]></category>
		<category><![CDATA[Elliot Sharp]]></category>
		<category><![CDATA[George Ziadeh]]></category>
		<category><![CDATA[Jonathan Butcher]]></category>
		<category><![CDATA[maria calex]]></category>
		<category><![CDATA[Performa 11]]></category>
		<category><![CDATA[Robert Lowe]]></category>
		<category><![CDATA[Sharjeh Art Faoundation]]></category>
		<category><![CDATA[SIR stage 37]]></category>
		<category><![CDATA[Tarek Atoui]]></category>
		<category><![CDATA[Uriel Barthelemi]]></category>
		<category><![CDATA[Zafer Tawil]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=15356</guid>
		<description><![CDATA[Lebanese sound artist Tarek Atoui will present a one-time showing of his commissioned piece Visiting Tarab, supported by the Sharjeh Art Foundation (SAF), at Performa 11 in New York this week. ]]></description>
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		<title>Peter Halley&#8217;s Judgment Day</title>
		<link>http://www.whitewallmag.com/2011/06/20/peter-halleys-judgment-day/</link>
		<comments>http://www.whitewallmag.com/2011/06/20/peter-halleys-judgment-day/#comments</comments>
		<pubDate>Mon, 20 Jun 2011 20:14:55 +0000</pubDate>
		<dc:creator>Matt Holden</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Peter Halley]]></category>
		<category><![CDATA[venice biennale]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12646</guid>
		<description><![CDATA[Peter Halley's installation at the Venice Biennale is part of the "Personal Structures" exhibit]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Venice: German Pavilion</title>
		<link>http://www.whitewallmag.com/2011/06/10/venice-german-pavilion/</link>
		<comments>http://www.whitewallmag.com/2011/06/10/venice-german-pavilion/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 17:18:02 +0000</pubDate>
		<dc:creator>Anna Sansom</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[biennale]]></category>
		<category><![CDATA[christoph schlingensief]]></category>
		<category><![CDATA[German Pavilion]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12268</guid>
		<description><![CDATA[The German pavilion, which scooped the Golden Lion prize for best national contribution, has been turned into a church, A Church of Fear vs. the Alien Within, which the German filmmaker, theatre director and artist Christoph Schlingensief (1960-2010) had designed for a personal theatrical project for the Fluxus oratorio in 2008, by which time he knew he was dying from lung cancer. It is a replica of the Catholic church where he was once an altar boy.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Venice: French Pavilion</title>
		<link>http://www.whitewallmag.com/2011/06/10/venice-french-pavilion/</link>
		<comments>http://www.whitewallmag.com/2011/06/10/venice-french-pavilion/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 17:16:43 +0000</pubDate>
		<dc:creator>Anna Sansom</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[biennale]]></category>
		<category><![CDATA[Chance]]></category>
		<category><![CDATA[Christian Boltanksi]]></category>
		<category><![CDATA[French Pavilion]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12277</guid>
		<description><![CDATA[In the neoclassical French pavilion, fast-moving conveyor belts showing strips of 600 black-and-white photos of newborn babies run over the scaffolding. The piece is called The Wheel of Fortune, and is the first in Christian Boltanksi’s installation, titled Chance. ]]></description>
		<wfw:commentRss>http://www.whitewallmag.com/2011/06/10/venice-french-pavilion/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Venice: Saudi Arabian Pavilion</title>
		<link>http://www.whitewallmag.com/2011/06/10/venice-saudi-arabian-pavilion/</link>
		<comments>http://www.whitewallmag.com/2011/06/10/venice-saudi-arabian-pavilion/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 17:14:50 +0000</pubDate>
		<dc:creator>Anna Sansom</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Abdulaziz Alsebail]]></category>
		<category><![CDATA[biennale]]></category>
		<category><![CDATA[Raja Alem]]></category>
		<category><![CDATA[Saudi Arabian Pavilion]]></category>
		<category><![CDATA[Shadia Alem]]></category>
		<category><![CDATA[The Black Arch]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12292</guid>
		<description><![CDATA[Over in the Arsenale, Saudi Arabia is participating in the Venice Biennale for the first time. In Saudi Arabia, women can neither drive nor vote, yet it is two sisters, Shadia and Raja Alem, who have been selected by commissioner Abdulaziz Alsebail to represent their country.]]></description>
		<wfw:commentRss>http://www.whitewallmag.com/2011/06/10/venice-saudi-arabian-pavilion/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Venice: Palazzo Grassi and Punta della Dogana</title>
		<link>http://www.whitewallmag.com/2011/06/10/venice-palazzo-grassi-and-punta-della-dogana/</link>
		<comments>http://www.whitewallmag.com/2011/06/10/venice-palazzo-grassi-and-punta-della-dogana/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 12:30:30 +0000</pubDate>
		<dc:creator>Anna Sansom</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Joana Vasconcelos]]></category>
		<category><![CDATA[Palazzo Grassi]]></category>
		<category><![CDATA[Punta della Dogana]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12258</guid>
		<description><![CDATA[The exhibition, The World Belongs to You, curated by Caroline Bourgeois at François Pinault’s Palazzo Grassi has been “contaminated”! ]]></description>
		<wfw:commentRss>http://www.whitewallmag.com/2011/06/10/venice-palazzo-grassi-and-punta-della-dogana/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Venice: Fondazione Prada</title>
		<link>http://www.whitewallmag.com/2011/06/10/venice-fondazione-prada/</link>
		<comments>http://www.whitewallmag.com/2011/06/10/venice-fondazione-prada/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 12:24:01 +0000</pubDate>
		<dc:creator>Anna Sansom</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Museum Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Fondazione Prada]]></category>
		<category><![CDATA[Venice]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12250</guid>
		<description><![CDATA[A highlight of this year’s Venice Biennale is the opening of Fondazione Prada’s glorious, three-storey exhibition space in the eighteenth century palazzo Ca’ Corner delle Regina, overlooking the Grand Canal.]]></description>
		<wfw:commentRss>http://www.whitewallmag.com/2011/06/10/venice-fondazione-prada/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Tokujin Yoshioka at Glasstress 2011</title>
		<link>http://www.whitewallmag.com/2011/06/09/tokujin-yoshioka-at-glasstress-2011/</link>
		<comments>http://www.whitewallmag.com/2011/06/09/tokujin-yoshioka-at-glasstress-2011/#comments</comments>
		<pubDate>Thu, 09 Jun 2011 19:37:56 +0000</pubDate>
		<dc:creator>Elizabeth Barker</dc:creator>
				<category><![CDATA[Biennials]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Top Stories]]></category>
		<category><![CDATA[Glasstress 2011]]></category>
		<category><![CDATA[Tokujin Yoshioka]]></category>

		<guid isPermaLink="false">http://www.whitewallmag.com/?p=12181</guid>
		<description><![CDATA[Acclaimed Japanese designer Tokujin Yoshioka is bringing his latest ventures to the 54th Venice Biennale. “Glasstress 2011” is showcasing Tokujin’s model for his new architectural project “KOU-AN Glass Teahouse” and an optical glass bench “Water block.” Tokujin’s fascination with light and transparency and how these elements impact the viewer have been integral part of his [...]]]></description>
		<wfw:commentRss>http://www.whitewallmag.com/2011/06/09/tokujin-yoshioka-at-glasstress-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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