Ivan Navarro at Paul Kasmin Gallery. All photos by Whitewall.
The Armory Show is now open through Sunday, March 6. Whitewall was at yesterday’s preview and a few things stuck out – a handful of solo booths, the Latin American Focus section, a stuffed horse, a huddle of lambs, and Ivan Navarro’s neon fence that made its way along the entire perimeter of Paul Kasmin’s (closed off and otherwise totally empty) booth. Navarro’s fence was really the work that stood out above the rest. Strangely, it seemed to have inspired a great many neon works throughout The Armory Show (a few of which were by the artist, as well). Or perhaps we were inspired. Either way, here’s a pretty extensive documentation of some very bright works.
An He, What Makes Me Understand What I Know? No.1, 2009, Galerie Daniel Templon, Paris.
Ivan Navarro, Skin, 2011, Galerie Daniel Templon, Paris.
Claire Fontaine, Untitled (Thank You), 2004, Regina Gallery.
Ivan Navarro, Man Hole, 2010, Baro Gallery, Sao Paulo.
Joseph Kosuth, Three Adjectives Described, 1965, Sean Kelly Gallery.
Ian Hamilton Finlay, Zimmerit-Haunting Wood Nymph, 1992, Victoria Miro.
Laurent Grasso, Eclipse, 2010, Sean Kelly Gallery.
Tracey Emin, I Think I Love You, Galleria Lorcan O’Neill.
Sam Van Aken at Ronald Feldman Fine Art.
Jeppe Hein, PLEASE…, 2008, 303 Gallery.
Stefan Bruggermann, Obliterated Neon, 2011, Parra & Romero.
